At One Fell Swoop deals with a stone carver and his metamorphic wander through rural Ireland. In passing he slips through the film's frames into a re-imagining of his surroundings in which he finds himself trapped on an intense cataclastic path towards a dead end. Photographed on expired 16mm black and white film and entirely hand-processed, At One Fell Swoop resembles a phantom-like film lodged amid multiple stratums of time and space.

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Famous actors and TV presenters Nikolai Fomenko and Ivan Urgant want to celebrate the holiday quietly and calmly, but, having lost their way, they end up in an enchanted house that does not let them out until the heroes believe in the New Year, a real fairy tale and a miracle, immersing themselves in the atmosphere of popular films.

Pebble Mill at One was a popular British lunchtime magazine, broadcast live from Monday to Friday at 13:00, mainly on BBC1. It was transmitted from the Pebble Mill studios of BBC Birmingham, and uniquely, was hosted from the centre's main foyer area, rather than a conventional studio. In the beginning, visitors to the studios were seen arriving in the background as the programme was transmitted.Reasons for this were: a planned third studio was never constructed on the site, and existing facilities were fully booked for network drama production and local news. Gradually, as the show was successful, the foyer became a studio, and visitors had to use a new entrance. The show ran from 2 October 1972 to 23 May 1986, under various programme Editors including: Terry Dobson, Jim Dumighan, and Peter Hercombe..For most of that period there were few television programmes transmitted in Britain on any channels during the day. For this reason the programme acquired a unique following from those who found themselves at home at lunchtime. Housewives, students, and those recovering from an illness remember it with fondness for its variety and the problems inherent with live television. Its best remembered theme tune was "As You Please" by the Raymond Lefevre orchestra.

Follows three generations of the same Cuban-American family living in the same house: a newly divorced former military mother, her teenage daughter and tween son, and her old-school mother.

The title leads the viewer to believe they are about to watch a classic comedy. However, this film is no comedy, rather a drama with some thriller aspects. Set shortly after the war, Gordon Jackson, plays an British soldier who served in France during the war. He has returned to civilian life and is about to marry his sweetheart (Christina Gregg). Shortly after the ceremony he is contacted by a woman (Lisa Daniely) he knew in France who he romanced during the war. The story unfolds that Jackson was seriously injured during the fighting in France. During this time, Daniely claims Jackson proposed and they were married. Unfortunately for Jackson, he lost his memory for a short time and he can`t disprove her claim. Daniely offers to leave the two newlyweds forever as long as Jackson can pay her a considerable sum of money. Now Jackson (and the viewer) realizes that Daniely is a fraud and they were never married. But how can he prove it and is someone else involved in the blackmail scheme. The film is certainly no cracker, but the current rating (3.4) is a little harsh. Yes, it`s a little staid and very low budget. Still it was a pleasant enough 65 minutes if one is not expecting too much.

A woman gets help from her gangster friends after her foster son takes the blame for a murder he did not commit.

Björn struggles with running the company, which is slowly going bankrupt. His habit of putting off, forgetting or canceling meetings and phone calls doesn't make it any easier. The company faces an immediate threat from the Swedish Tax Agency, and he also has a new intern who follows him everywhere and watches expressionlessly as he handles all challenges.

Featuring Dean Cain and Luke Schroder, One Life at a Time highlights both the importance of awareness and the misconceptions of homelessness in West Michigan, in addition to having an historical nod to Mel Trotter.